TV: > 7 Days Left to Season 7 Premiere: The 7 Best #TheWalkingDead Episodes So Far

OUR 7 FAVORITE THE WALKING DEAD EPISODES SO FAR:

(from 7th best to number one)

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7th Best Episode of All-Time: “No Sanctuary,” Season 5 Episode 1

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6th Best Episode of All-Time: “Days Gone Bye,” Season 1 Episode 1

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5th Best Episode of All-Time: “No Way Out,” Season 6 Episode 9

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4th Best Episode of All-Time: “Too Far Gone,” Season 4 Episode 8

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3rd Best Episode of All-Time: “A,” Season 4 Episode 16

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2nd Best Episode of All-Time: “Better Angels,” Season 2 Episode 12

WHAT WE LOVED ABOUT IT:

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This instantly iconic shot of Rick (left) and Shane (right) underscored another brilliant aspect of the episode: its epically breathtaking cinematography.

What a perfect illustration of how some are born to lead and others born to crack. The escalating tension between Rick and Shane, instead of coming to an impasse due to Dale’s devastating death,  had finally shattered the last remaining fragments of their BFF status. Rick (still operating at this point under a democracy than a Ricktatorship) is more assured than ever in the humane choice to set Randall the prisoner free, as Dale would have had it, than to execute him, as Shane would. So, it begins…Shane’s plot to murder Rick in cold blood is revealed to the audience as it is to Rick, making the buildup and the faux goose chase Shane set up all the more tense and rife for Emmy-winning acting moments. (Seriously, did Shane think anyone would buy his story if he walked back onto that farm without Rick?)

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Rick: Wait a minute, you bald-headed snake…

It seemed that, as the episode progressed, so did the ferocious pace of Rick Grimes’ ascension to full Alpha status. While Shane was quickly slipping off the cliff of sanity, Rick was firmly holding onto all the hope he saw in front of him: a wife, son, unborn child, and friends both new and old. Andrew Lincoln’s glow-in-the-dark blue eyes, ever-fixated on Shane as the latter kept leading him further out into the woods, carried all of the burden in these dimly lit scenes, reflecting all the flashes of confusion, betrayal, and anger that Rick felt as he followed his former best friend knowingly toward his own execution, thinking, “Is this crazy mothaf***er REALLY going to try and kill me right here and now?

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LINE OF THE EPISODE:

“People are gonna die. I wish I had something more profound to say…but I’m tired, son. Please, take it.”

-Rick as he hands Carl a gun, the same one Carl later uses to dispatch Walker Shane

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WHY THIS EPISODE WORKED:

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Shane needed to goooooooo! If you can’t take direct orders from the group’s designated leader, then leave the goddamn group. A group of survivors in a Zombie Apocalypse is simply a microcosmic society and in any society, there must be some order. It was completely satisfying watching him fail to get the upper-hand on Rick, thereby proving Rick’s leadership-worthiness, and even more when Rick’s own son shot him after reanimation. I have watched Carl shoot Walker Shane, like, 100 times on repeat.

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One of my single favorite scenes on The Walking Dead thus far; I got your 6, Dad!

P.S. I did cry when Rick frustratingly blubbered over Shane’s dead body:

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P.P.S. Rick, Carl, Daryl and Glenn witness firsthand the heavy realization that everyone will eventually become a walker.

P.P.P.S. I know she’s dead now, but can someone slap Lori for me? At an emotionally fragile time for all, post-Dale’s funeral, she went over to Shane to have an intimate chat about how her unborn child, whom she had previously declared was husband Rick’s “no matter what,” could just as easily be Shane’s. Given Lori’s knowledge that Shane is already predisposed to rage and possessiveness over her and Carl, that was just complete idiocy on her part. I would blame it on the baby hormones but I don’t want to be labeled a sexist by SJWs.

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BEST EPISODE OF ALL-TIME: “This Sorrowful Life,” Season 3 Episode 15

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WHAT WE LOVED ABOUT IT:

Merle, Merle, Merle. Never has a character, up to this point in the series, been so sophisticatedly dissected from start to finish in an episode. Even the always scene-stealing Andrew Lincoln as Rick Grimes paled in comparison to Michael Rooker’s Merle Dixon this time. Rooker enunciated each layer of Merle’s personality clearly and intensely.

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We saw Merle the greedy user (“We got any whiskey?” “Just lookin’ for some crystal meth is all”),  Merle the voice of reason (“You’re gonna let [the Governor torture Michonne] all just for a shot? You’re as cold as ice, Officer Friendly”), Merle the dutiful henchman (takes it upon himself to kidnap Michonne and deliver her on Rick’s behalf), and, most tragically, Merle the regretful (dare we say, sorrowful?) loner…The real reason we wound up so saddened by Merle’s departure from this world was that he had resigned to the fact that he didn’t belong anywhere… The Governor no longer wanted him, Rick and his group certainly never liked him, and his own brother, Daryl, now looked at him like a sick old dog whom he just couldn’t bring himself to put down. He had no one left in this world, if he ever had anyone truly… and it took somewhere along his drive with Michonne for him to realize this.

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Merle made an ultimately self-sacrificial decision to free Michonne and try to eliminate as much of the threat to Rick’s group as possible. Was it a suicidal decision? Therein lies that beautiful complexity… After having all these layers of Merle Dixon peeled back, we still will never know what truly drove him to do what he did at any given time. Clearly, part of his motivation was the desire to protect Daryl but he chose deliberately to go alone on this killing spree when he could have easily enlisted help.

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“I can’t go back. Don’t you get that? I just can’t go back.” That, and not his heroic self-sacrifice, was the real tear-jerking moment. Whether he survived his kamikaze-style attack on the Governor’s soldiers, Merle was always going out alone in this world. He knew it. We knew it. For a character who’s been only on a dozen episodes, Merle Dixon’s loss is still felt today as our group faces an entirely new (and bigger) threat in Negan and his Saviors.

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LINE OF THE EPISODE:

“I don’t know why I do the things I do. Never did. I’m a damn mystery to me.”

-Merle to Rick

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Oh, and don’t get us started on Daryl’s cry-face. When Norman Reedus cries, we cry, y’all:

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Honorable Mentions for LINE OF THE EPISODE:

In addition to the emotional weight of the episode, Merle helped serve up a delicious platter of one-liners to offset the mood:

“Do you even possess a pair of balls, little brother? If so…they belong to you?”

“The inner circle… I’m honored.”

MICHONNE: “So is this your thing then? Taking out the trash?”
MERLE: “Aww, don’t be so hard on yourself, darling.”

“You’ve got to play the hand you’re dealt… and I’ve only got one.”

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